Christian Mythology and Symbolism in Samuel Coleridge's Rime of the Ancient Mariner
When Samuel Coleridge set pen to paper, it really is clear, he realized his bible good. In his Rime of the Old Mariner, Christian mythology and symbolism abound. The three key components of the storyline, the Mariner, the Albatross, and sunlight, each are likely involved as Jesus. From the first stanza, Coleridge commences his biblical allusions and, through the Mariner's eye, paints a vivid photo wrought with the Christian god and angelic hordes as recurring foci.
Coleridge starts his parallels with the setting up, a wedding day. Among Christ's most prominent miracles, that of turning normal water to wine, occurred at the wedding party at Cana, in Galilee. The Ancient Mariner may be the quiet guest who works a miracle of his private in the retelling of his account. He may be the Christ figure likewise in the look at of the complete poem, as when Jesus was tempted by Satan in the desert. Like Jesus, the Mariner endures many trials, but his inability at the earliest costs him dearly during those that follow. The original "temptation" was to kill the nice seabird, which he does indeed without conscience. And, like the temptation in the desert, the Mariner is usually parched with thirst, "Water, water, all over the place,/Nor any drop to take." And when the Mariner attempts to pray for salvation, he hears a demonic tone of voice, like Lucifer: "I seemed to heaven, and tried out to pray;/But or ever a prayer possessed gushed,/A wicked whisper came up, and made/My center as dry as dust particles." [ln 244] As the ghost ship approaches, "I bit my arm, I sucked the blood vessels," in mention of Jesus' usage of the wine at the previous supper as his individual bloodstream. When the spirits move